• "Overture"

• "('As If......')"

• "Long-Haired Iopas: A Reconstruction"

Dedicated to Harry Harkness Flagler. A character study of Iopas from Vergil's Aeneid, and, by extension, a celebration and analysis of all musicians.

• "After Hearing 'Don Giovanni'"

• "Four Musical Sons Of Vienna"

• "Prince Bedr's Quest"

Dedicated to Mary Severn Perry. A narrative interpretation of Beethoven's 9th symphony shared between an unnamed speaker and his friend Oswald—almost certainly referring to the protagonists of Imre: A Memorandum (1906). Prince Bedr of Persia believes he is in possession of complete happiness until a dervish encourages him to seek true happiness. Bedr journeys to find the answer—seeing happiness in life, nature, companionship, and the love of a princess—but is finally guided to the truth: God as the source of existence and tandem joy in all the universe. 

• "(On the Nibelungen Tetralogy: I-II)"

• "Wagner As Fabulist And Realist"

Originally published as "Wagner as Fabulist and Realist" (Feb 22, 1900) in The Independent. 

• "(On the Nibelungen Tetralogy: III-IV)"

• "The Illogical Wagner"

Dedicated to Xavier Mayne. A critique of Wagner's Tetralogy and other works as clumsy, contradictory, and unworthy of their wide praise.

• "Where the Mastersingers Sang"

• "The Wagnerian Dragon"

Originally published as "The Wagnerian Dragon" (Feb 11, 1899) in Harper's Bazar.

• "Bayreuth: Performances and Promises"

• "A Star Sets: Max Alvary (♱ 1898)"

• "≪Parsifal in New York?≫"

Originally published as "Parsifal in New York?" (Dec 17, 1903) in The Independent. 

• "(From An Address By Gaetano Negri, 1892)"

• "The Unfamiliar "Il Trovatore""

• "Verdi: And Theme-Structure of "Aida""

• "Italian "Stile Nuovo" In Opera"

• "(French Music .... Nationalist In Art)"

• "Gounod's "Faust" Considered Thematically"

Possibly originally published as "Thematic and Other Significances in Gounod's 'Faust'" (Mar-Apr 1896) in Music: A Monthly Magazine. Part 1. Part 2.

• "Gounod's "La Rédemption." And Of Biblical Oratorios"

• "Four Current Opera-Writers: De Lara, Massenet, Mancinelli, Goldmark"

• "(Violinismo)"

• "Women And The Violin: Lady Hallé (Wilda Neruda): "The Grand Style."

• "Chopin"

Expanded from "Frederick Chopin" (Oct 26, 1899), originally published in The Independent. Dedicated to Vernon Lee. A lauding summary of Chopin as a genius who championed the piano to greater affect than any other musician. Prime-Stevenson argues that Chopin has not been succeeded as a pianist, then summarizes Chopin's influences and artistic traits. An anecdote about Chopin's temper by a former pupil concludes the essay.

• "Moritz Rosenthal, Emil Sauer: And Modern Pianism"

• "The Patent Virtuoso"

• "Speaking-Actors And Singing-Actors"

Originally published as "Speaking-Actors and Singing-Actors" (Jan 26, 1899) in The Independent. 

• "A Fairy-Tale Untold: Rubinstein — A Last Look"

• "Imagination and Realism In Magic: Richard Strauss."

Excerpt published in Disques (Sep 1932).

• [Further contents unavailable.]

Also see:

Ghosts in the Archives: The Queer Knowledge and Public Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson (2018) by Kristin Franseen.